梁志剛@「社區耕種計劃」
梁志剛是一名設計師、養蜂人和都市農夫。他於倫敦長大，現於油麻地居住四年。他致力從事與香港城市及居民所啟發而來的社會文化及生態環境項目。他的工作範圍甚廣，包括為故人製作的紙紮品及至城市種植計劃 HK Farm 。他也是HK Honey 的創辦人和創作總監，一個由養蜂人、藝術家和設計師參與，致力宣揚蜜蜂的生態價值和土產蜜糖益處的機構。最近，梁志剛透過「HK Salt」延續他對本土食物的熱情，踏上一個月的創作之旅，製造出100％ 香港產的本地海鹽。
Michael Leung@ “Community Farming Project”
Michael Leung is a designer, beekeeper and urban farmer. He is originally from London and has been living in Yaumatei for four years. He focuses on socio-cultural and environmental projects that are inspired by the local context, urban environment and people of Hong Kong. His work ranges from conceptual objects for people who have passed away to urban agriculture projects such as HK Farm. Michael is the founder and creative director of HK Honey - an organisation of Hong Kong beekeepers, artists and designers that aims to promote the value of bees and benefits of locally produced honey. His passion for local food continues in a recent project called “HK Salt” where he embarked on a one-month creative journey in the pursuit of locally produced salt in Hong Kong.
盧樂謙@「人民足球」
盧樂謙曾是一個足球員，球會倒閉後開始進修藝術，現主要從事行為藝術創作及社區藝術。現為灣仔藍屋的香港故事館館長。他先後畢業於英國薩斯大學視覺傳達設計系(2004)及澳洲墨爾本皇家理工大學藝術系(2008)；他的大部分作品均以探索城市中的存在形式為基礎，關注自我與身體之間的關連。2009年，他與友人成立了ArtAfter6，致力推廣不同類型的集體藝術創作計劃。他亦為「這一代的六四」、「細味薄扶林 村—『中秋火龍』文化創意計劃」和「人民足球」的發起人之一。
Him Lo @ “People's Pitch”
Him Lo is a multidisciplinary artist based in HK. He graduated from Middlesex University (BA in Illustration) in 2004, and RMIT University (BA in Fine Arts) in 2008. His work is mainly a quest of the form of existence in the city. He focuses on the relations between the ego and the physical. Through violent and dark expression, he expresses time with a sense of emergency. He is now the director of Hong Kong House of Stories.
何穎雅
何穎雅（易領W. HO、何子） ，1977年生於美國，現漂世界各地。1999年畢業於美國莱斯大學藝術及藝術歷史系，其後於紐約帕森設計學院學習服裝設計，現為媒體理論及歐陸哲學碩士研究生。作為一名藝術、都市實踐及設計工作者，她 的作品多藉由不同面向的藝術語言，探索人、空間、組織與日常生活之間纏結的微觀政治關係。她以共同合作作為其工作模式及基礎，因此她的作品，如聲音/影像、記錄片及介入行動等，都探索一種人對人、社群網絡式生產的可能性。2008-2013年， 她合作組織了「家作坊」，將北京一條老胡同中一個臨街店鋪改造成與當地社區及附近公共空間互動的住宅／工作室。透過組織不同的協作活動如工作坊、研究、田野錄音，「家作坊」及其獨立出版物《穿》雜誌，期望發展出一個開放平台，藉以探索一種同時依附又脫離於經濟生產模式的關係。她平日好飲鴛鴦。
www.homeshop.org.cn
www.indexofho.net
www.homeshop.org.cn
www.indexofho.net
Elaine W. Ho
Elaine W. HO (HK / USA) works between the realms of time-based art, urban practice and design, using multiple vocabularies to explore the micropolitics, subjectivities and the alter-possibilities of an intimate, networked production. The act of describing takes on a number of forms-a kind of grammar, documentation, gesture, and biography-or a project in Beijing known as HomeShop. She is the initiator of the artist-run space, active from 2008-2013, and was most recently a fellow at the Institut für Raumexperimente in Berlin. She likes to drink Yinyang, a drink mixing coffee and tea and is a frequent contributor at www.iwishicoulddescribeittoyoubetter.net.
高穎琳@「週街展」
1992年出生於香港，2011年畢業於香港兆基創意書院，現為香港教育學院創意藝術與文化-視覺藝術系學生。持續協助不同藝術家及藝術空間創作及籌劃展覽，包括香港兆基創意書院、活化廳、台灣非常廟藝文空間等等。作品創作的主題專注於人與社區之間的關係及連結。於2013及2014年獨立策劃兩屆九龍城社區藝術實驗計劃「週街展》。
Kobe Ko @ “Chow Kai Chin”
Born in Hong Kong in 1992. Graduated from HKICC Lee Shau Kee School of Creativity in 2011. Currently studying Creative Arts and Culture - Visual Arts in the Hong Kong Institute of Education. Kobe has been continuously assisting artists and art-spaces on creation and administration, including HKICC Lee Shau Kee School of Creativity, Wooferten, Taiwan VT Artsalon, etc. Her works focus on the relationships and linkages between people and the community. In 2013 and 2014, she independently curated two Community Art Experimental Projects – “Chow Kai Chin (I &II)”
「吞拿魚奬」(Tuna Prize)
「吞拿魚奬」(Tuna Prize) 的名稱概念是由英國的 Turner Prize 而引發的。Turner Prize 於1984年成立，是一個頒予英國五十歲或以下年青藝術家的年度當代藝術獎項，由英國 Tate Gallery舉辦，於 Tate Britain舉行。曾獲獎的藝術家均耳熟能詳，如 Damien Hirst、Tracey Emin、Rachel Whiteread、Gilbert & George等。
「吞拿魚奬」是一項由香港浸會大學視覺藝術院舊生頒予應屆畢業生的獎項，由第一屆舊生發起並於2009年成立。每年評審的角色由歷屆舊生擔任，目的是開放評審制度的平台，透過年輕藝術家的評審眼光，前瞻本地藝術的最新趨向。因此，對於每屆新畢業生而言，「吞拿魚奬」乃一項別具特殊意義的奬項。奬項期望能由每年的新一屆畢業生延續下去。每年只設一位得獎者，得獎者將獲得獎金、獎座及證書，藉此表達對傑出畢業作品的欣賞，並以實質支持鼓勵我們的「下一代」積極創作。
百呎公園
百呎公園是由三名從事藝術相關的工作者於2012年成立，是一個非商業的迷你藝術空間。旨為以僅有的空間，在一個約一百平方英呎的地方展示不同媒介的藝術作品，希望透過作品的展示，使空間成為一個接觸點，凝聚觀眾，為藝術家提供開放的平台，展演創作理念。
100 ft. Park
100 ft. Park is a non-commercial mini art space founded by three art practitioners in 2012. We aim to exhibit works in all media in a small space of 100 square feet. Through exhibitions, we hope to be a hub for art-lovers and provide an open platform for artists to share their creative thoughts.
梁御東 聯同 BLOKE
梁御東生於一九八三年，在香港生活和工作，曾修讀藝術。為紀錄片《稻米是如何鍊成的》監製。亦曾參與策劃「殺到油麻地！地區自救計劃暨展覽示範》（活化廳，2012）及「P-at-Riot : 80後六四文化祭」(2009)。
BLOKE
大概1999年開始BLOKE就在街上玩Graffiti，持續了一年半載，期間在油街牆內牆外牆上留連。BLOKE的幾位成員為answer、katol和naeco。
Ocean Leung featuring BLOKE
Born in 1983, Ocean Leung lives and works in Hong Kong. He studied fine arts. He produced The Way of Paddy, a documentary film about rice planting and activism in Hong Kong. He co-curated two projects with friends, including “Yau Ma Tei Self-Survival Project & Demonstrative Exhibition”(Wooferten, 2012) and “P-at-Riot: June Fourth Festival for Post-80s Generation”(2009).
BLOKE started to do graffiti since 1999, lasted around a year and they drifted around Oil Street at that time. BLOKE members were answer, katol and naeco.
Born in 1983, Ocean Leung lives and works in Hong Kong. He studied fine arts. He produced The Way of Paddy, a documentary film about rice planting and activism in Hong Kong. He co-curated two projects with friends, including “Yau Ma Tei Self-Survival Project & Demonstrative Exhibition”(Wooferten, 2012) and “P-at-Riot: June Fourth Festival for Post-80s Generation”(2009).
BLOKE started to do graffiti since 1999, lasted around a year and they drifted around Oil Street at that time. BLOKE members were answer, katol and naeco.
姚妙麗
姚妙麗，民間博物館計劃成員，2011年畢業於香港中文大學藝術文學碩士課程。喜歡探討城市中的荒謬狀態，藉作品帶給觀眾不同的視點。
Joe Yiu
Joe Yiu, a member of Community Museum Projects, completed MA in Fine Arts at the Chinese University of Hong Kong in 2011. Joe attempts to explore and reveal the ridiculous phenomena in highly urbanized Hong Kong. Aiming to provide audience a critical perspective in reading the city.
